• KEN’S MISTERY, de Julian Hawthorne, 1888.
  • LUELLA MULLER, de Mary Wilkins Freeman, 1902.
  • RESTLESS SOULS, de Seabury Quinn, 1928.
  • CLARIMONDA, de Theofile Gautier, 1836.
  • THE CLOAK, de Robert Black, 1939.
  • THE DRIFTING SNOW, de August Derleth, 1939.
  • WHEN IT WAS MOONLIGHT, de Manly Wade Wellman, 1940.
  • HEREDITY, de David H. Keller, 1947.
  • THE LAST GRAVE OF LILL WARRAN, de Manly Wade Wellman, 1951.
  • DRESS OF WHITE SILK, de Richard Matheson, 1951.
  • SHE GOES OUT AT NIGHT…, de William Tenn, 1956.
  • ONE FOR THE ROAD, de Stephen King, 1977.
  • FOR THE BLOOD IS THE LIFE, de F. Marion Crawford.
  • RED AS BLOOD, de Tanith Lee, 1979.
  • YOURS TRULY, JACK THE RIPPER, de Robert Bloch.
  • THE COPPER BOWL, de Captain George Eliot.
  • THE HUNTER, de David Case.
  • SMILE PLEASE, de Raymond Williams.
  • BLOOD, de Isaac Bashevis Singer.
  • IN THE X-RAY, de Fritz Leiber Jr..
  • STRICTLY FOR THE BIRDS, de Lindsay Steward.
  • VORTEX OF HORROR, de Gaylord Sabatini.
  • THE HORSEHAIR TRUNK, de Davis Grubb.
  • A LITTLE PLACE OFF EDGWARE ROAD, de Graham Green.
  • WHITE CAUCASIAN MALE, de Kit Pedler.
  • “CRESCENDO”, de Richard Matheson.
  • THE GREEN UMBILICAL CORD, de Jamie McArdwell.
  • THE GRAVEYARD RATS, de Henry Kuttner.
  • THE WITCH, de Shirley Jackson.
  • THE ATTIC EXPRESS, de Alex Hamilton.
  • THE LITTLE GIRL EATER, de Septimus Dale.
  • ONE FOR MY BABY, de John Hynam.
  • I PASSI SULLA NEVE, de Mario Soldati.
  • THE OLDEST STORY EVER TOLD, de Romain Gary.
  • THE BLESSINGTON METHOD, de Stanley Ellin.
  • THE DEAD ASTRONAUT, de J. G. Ballard.
  • THE SHAPE OF THINGS, de Ray Bradbury.
  • CONTENTS OF THE DEAD MAN’S POCKET, de Jack Finney.